Look at the history of Chinese jewelry and cultural development, as early as the mid-Palaeolithic our ancestors on the use of animal teeth, shell, bone tubes, ostrich eggshell, stone beads and other ornaments to create strings, till ten thousand years before the turn of the new Paleolithic period, and further selection quartz, jasper, agate, obsidian and other semi-transparent colored material to create a variety of decorations, to the Xia Shang Zhou period, the Chinese men's and women's jewelry category was already very rich, and headgear are hairpin, comb, crown; ear decorated with rings; Necklace necklaces; hand-decorated with bracelets, Yuan and so on.
Who also put together the accessories, from Heng, Huang, Kui so on. Even jewelry materials, there are bamboo, stone, bone, clam, shells, teeth, jade and gold. Hongshan Culture, Liangzhu Culture, Longshan Culture, Daxi culture, whether it is earrings, pendant, arm ornaments, pectoral Deng Jun reflect the strong sense of modern style and cultural charm.
Design is a reflection of consciousness in the material sphere, is objective, history, culture, art carrier. First of all workers in the modern jewelry design must be based on the fertile soil of Chinese culture on top, only the financial elements of traditional Chinese and Western cultures in one of the jewelry in order to be acceptable to consumers in order to have a market. Reflected in modern jewelry design is a kind of humanistic culture, and personalized design, we must not only attach importance to national identity, but also to follow fashion trends, traditional craft and modern thinking, personal skills, natural materials, modern technology, new science, new materials and completely integrated into the works, the same theme to express the culture, people from the ancient and modern symbols to find a unique personality, from which to interpret creation, clearly convey the message so far from the ancient. For example, the dragon symbol of the right to phoenix a symbol of joy, bamboo symbolizes integrity, lotus a symbol of self-love, pigeons symbols and equality, these East and West, ancient and elements combine the use of imagination to be a keen sense of the times to re-interpretation of creating an entirely new look fashion jewelry.
This profound cultural accumulation of emotional memories can be revealing personal and cherished values, and to convey the meaning of eternity. If only the original dragon, phoenix, bamboo, lotus, pigeon, etc. based on the image reproduction, the design will be lost any meaning.
Any one nation's culture is an integral part of world culture, although each country in which the geographical environment, climate, cultural traditions, customs, social and economic are different, which appeared in different countries, ethnic style, and it is exactly is because these differences would constitute bright-colored world of family, is to distinguish between identity, but also deep cultural imprint.
译文：
看看中国珠宝和文化发展的历史，早在中期旧石器时代我们对动物牙齿，贝壳，骨管，鸵鸟蛋壳，石珠等装饰品使用的祖先创造的字符串，直到万年前翻开新的旧石器时代，并进一步选择石英，碧玉，玛瑙，黑曜石等半透明彩色材料创建各种装饰，到夏商周时期，中国男子和女子的珠宝类产品已经非常丰富，帽的发夹，梳子，冠;耳装饰戒指，项链项链，手与手镯，元等装饰。
谁也放在一起，配件，从恒，黄，等等奎。即使首饰材料，有竹，石，骨，蚌，贝壳，牙齿，玉器和金器。红山文化，良渚文化，龙山文化，大溪文化，无论是耳环，挂件，手臂饰，胸邓军反映现代风格和文化魅力的强烈意识。设计是一种意识在物质领域的反映，是客观的，历史，文化，艺术载体。所有工人首先，在现代首饰设计的基础必须是中华文化的顶部，只有传统的中西文化金融珠宝之一的要素，以可以接受的消费者，以有市场沃土。
在现代首饰设计中的人文是一种文化，和个性化的设计，我们不仅要重视民族特征，而且也追随时尚潮流，传统工艺和现代思维，个人技能，自然材料，现代技术，新科学，新材料，完全集成到工程，同一主题，表达的文化，从古代和现代符号的人找到一种独特的个性，从中创造解释，明确传达一个信息迄今，从古代。例如，该权利凤凰的喜悦的象征龙的象征，竹象征正直，莲花自我象征爱情，鸽象征和平等，这些东方与西方，古代和元素结合使用的想象力是一个激烈时代感，重新建立一个全新的外观时尚饰品解释。这种深刻的感情记忆的文化积淀，可以揭示个人和珍惜的价值，并转达了永恒的意义。如果只有原来的龙，凤，竹，荷花，鸽子等，基于图像的复制，设计将失去任何意义。
任何一个国家的文化是世界文化的一个组成部分，虽然每个国家的地理环境，气候，文化传统，习俗，社会和经济不同，在不同国家的出现，民族风格，正是因为这些分歧将是鲜艳的家庭世界，是为了区分身份，而且有着深厚的文化印记。